Praise

Allon is Israel’s Jack Bauer. In true Bauer fashion, shootouts, kidnappings and international terror plots follow him wherever he goes.”
—USA Today

The action moves quickly, the subject matter feels impressively current, and Silva’s multidimensional characters instantly seem like old friends.”
—The Washington Post

…newsy sensibility and frightening possibilities: It reads like a prediction of continuing terrorism in Europe”
—The Wall Street Journal

In [Gabriel] Allon and his cadre of fellow Israeli agents, Silva has created an authentic band of brothers.…there is a kind of melodrama in the way the novel unfolds, moving from London and various European locations, to Tel Aviv and back again, with time ticking away in each chapter in the manner of Frederick Forsyth’s classic, “Day of the Jackal.”…Silva’s growing mastery of psychology and narrative suspense and the integration of serious research into the forward motion of the story is…quite evident.”
—Alan Cheuse, All Things Considered/NPR, also ran in the Dallas Morning News

Daniel Silva’s The Secret Servant is a textured espionage novel in the tradition of John le Carré…”
—GQ Online, Men.Style.com

A former foreign correspondent who has reported from Cairo and the Persian Gulf, Silva knows the deadly terrain and has thought deeply about the issues and choices confronting Israel and the West. His fictional treatment of those issues has always been sobering and timely. His latest is that and more: the summer’s best thriller and perhaps most important novel.”
—Military.com

Bestseller Silva’s superlative seventh novel to feature Gabriel Allon…puts Silva squarely atop the spy thriller heap.”
—Publishers Weekly

[The Secret Servant] is extremely exciting, suspenseful, and complex…the exploits of Allon and his team make for great entertainment and a thought-provoking cautionary tale. Highly recommended.”
—Library Journal

Daniel Silva has done it again!…[The Secret Servant] is filled with suspense, measuring up fully to the high standard set by Silva in his previous novels. Anyone interested in spy thrillers, current events, and international intrigue will thoroughly enjoy Silva’s latest effort. It is a spirited tale that greatly enhances Silva’s well-deserved reputation and makes us look forward eagerly to the next Gabriel Allon adventure.”
Jewish Journal

Daniel Silva gets better with each new exploit of Gabriel Allon. Highly recommended…”
Association of Jewish Libraries

[The Secret Servant has] all the elements for a great summer read – a cool Israeli agent, beautiful women, evil enemies, Middle East intrigue and terrorism, all wrapped up in a fast-paced story.”
Chicago Jewish Star Magazine

brings new life to the international thriller”
Newsday

a rare combination of fine characters, compelling writing and suspenseful plotting”
Detroit Free Press

Silva is an adept craftsman and chronicler … Very fast-paced … compulsive reading.”
Booklist

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Excerpt

1

COURCHEVEL, FRANCE

The invasion began, as it always did, in the last days of December. They came by armored caravan up the winding road from the floor of the Rhône Valley or descended onto the treacherous mountaintop airstrip by helicopter and private plane. Billionaires and bankers, oil tycoons and metal magnates, supermodels and spoiled children: the moneyed elite of a Russia resurgent. They streamed into the suites of the Cheval Blanc and the Byblos and commandeered the big private chalets along the rue de Bellecôte. They booked Les Caves nightclub for private all- night parties and looted the glittering shops of the Croissette. They snatched up all the best ski instructors and emptied the wineshops of their best champagne and cognac. By the morning of the twenty- eighth there was not a hair appointment to be had anywhere in town, and Le Chalet de Pierres, the famous slope- side restaurant renowned for its fire- roasted beef, had stopped taking reservations for dinner until mid- January. By New Year’s Eve, the conquest was complete. Courchevel, the exclusive ski resort high in the French Alps, was once more a village under Russian occupation.

Only the Hôtel Grand Courchevel managed to survive the onslaught from the East. Hardly surprising, devotees might have said, for, at the Grand, Russians, like those with children, were quietly encouraged to find accommodations elsewhere. Her rooms were thirty in number, modest in size, and discreet in appointment. One did not come to the Grand for gold fixtures and suites the size of football pitches. One came for a taste of Europe as it once was. One came to linger over a Campari in the lounge bar or to dawdle over coffee and Le Monde in the breakfast room. Gentlemen wore jackets to dinner and waited until after breakfast before changing into their ski attire. Conversation was conducted in a confessional murmur and with excessive courtesy. The Internet had not yet arrived at the Grand and the phones were moody. Her guests did not seem to mind; they were as genteel as the Grand herself and trended toward late middle age. A wit from one of the flashier hotels in the Jardin Alpin once described the Grand’s clientele as “the elderly and their parents.”

The lobby was small, tidy, and heated by a well- tended wood fire. To the right, near the entrance of the dining room, was Reception, a cramped alcove with brass hooks for the room keys and pigeonholes for mail and messages. Adjacent to Reception, near the Grand’s single wheezing lift, stood the concierge desk. Early in the afternoon of the second of January, it was occupied by Philippe, a neatly built former French paratrooper who wore the crossed golden keys of the International

Concierge Institute on his spotless lapel and dreamed of leaving the hotel business behind for good and settling permanently on his family’s truffle farm in Périgord. His thoughtful dark gaze was lowered toward a list of pending arrivals and departures. It contained a single entry:Lubin, Alex. Arriving by car from Geneva. Booked into Room 237. Ski rental required.

Philippe cast his seasoned concierge’s eye over the name. He had a flair for names. One had to in this line of work. Alex … short for Alexander,he reckoned. Or was it Aleksandr? Or Aleksei? He looked up and cleared his throat discreetly. An impeccably groomed head poked from Reception. It belonged to Ricardo, the afternoon manager.

“I think we have a problem,” Philippe said calmly.

Ricardo frowned. He was a Spaniard from the Basque region. He didn’t like problems.

“What is it?”

Philippe held up the arrivals sheet. “Lubin, Alex.”

Ricardo tapped a few keys on his computer with a manicured forefinger.

“Twelve nights? Ski rental required? Who took this reservation?”

“I believe it was Nadine.”

Nadine was the new girl. She worked the graveyard shift. And for the crime of granting a room to someone called Alex Lubin without first consulting Ricardo, she would do so for all eternity.

“You think he’s Russian?” Ricardo asked.

“Guilty as charged.”

Ricardo accepted the verdict without appeal. Though senior in rank, he was twenty years Philippe’s junior and had come to rely heavily upon the older man’s experience and judgment.

“Perhaps we can dump him on our competitors.”

“Not possible. There isn’t a room to be had between here and Albertville.”

“Then I suppose we’re stuck with him—unless, of course, he can be convinced to leave on his own.”

“What are you suggesting?”

“Plan B, of course.”

“It’s rather extreme, don’t you think?”

“Yes, but it’s the only way.”

The former paratrooper accepted his orders with a crisp nod and began planning the operation. It commenced at 4:12 p.m., when a dark gray Mercedes sedan with Geneva registration pulled up at the front steps and sounded its horn. Philippe remained at his pulpit for a full two minutes before donning his greatcoat at considerable leisure and heading slowly outside. By now the unwanted Monsieur Alex Lubin—twelve nights, ski rental required—had left his car and was standing angrily next to the open trunk. He had a face full of sharp angles and pale blond hair arranged carefully over a broad pate. His narrow eyes were cast downward into the trunk, toward a pair of large nylon suitcases. The concierge frowned at the bags as if he had never seen such objects before, then greeted the guest with a glacial warmth.

“May I help you, Monsieur?”

The question had been posed in English. The response came in the same language, with a distinct Slavic accent.

“I’m checking into the hotel.”

“Really? I wasn’t told about any pending arrivals this afternoon. I’m sure it was just a slipup. Why don’t you have a word with my colleague at Reception? I’m confident he’ll be able to rectify the situation.”

Lubin murmured something under his breath and tramped up the steep steps. Philippe took hold of the first bag and nearly ruptured a disk trying to hoist it out. He’s a Russian anvil salesman and he’s brought along a case filled with samples. By the time he had managed to heave the bags into the lobby, Lubin was slowly reciting his confirmation number to a perplexed- looking Ricardo, who, try as he might, had been unable to locate the reservation in question. The problem was finally resolved—“A small mistake by one of our staff, Monsieur Lubin. I’ll be certain to have a word with her”—only to be followed by another. Due to an oversight by the housekeeping staff, the room was not yet ready. “It will just be a few moments,” Ricardo said in his most silken voice. “My colleague will place your bags in the storage room. Allow me to show you to our lounge bar. There will be no charge for your drinks, of course.” There would be a charge—a rather bloated one, in fact—but Ricardo planned to spring that little surprise when Monsieur Lubin’s defenses were at their weakest.

Sadly, Ricardo’s optimism that the delay would be brief turned out to be misplaced. Indeed, ninety additional minutes would elapse before Lubin was shown, sans baggage, to his room. In accordance with Plan B, there was no bathrobe for trips to the wellness center, no vodka in the minibar, and no remote for the television. The bedside alarm clock had been set for 4:15 a.m. The heater was roaring. Philippe covertly removed the last bar of soap from the bathroom, then, after being offered no gratuity, slipped out the door, with a promise that the bags would be delivered in short order. Ricardo was waiting for him as he came off the lift.

“How many vodkas did he drink in the bar?”

“Seven,” said Ricardo.

The concierge put his teeth together and hissed contemptuously.

Only a Russian could drink seven vodkas in an hour and a half and still remain on his feet.

“What do you think?” asked Ricardo. “Mobster, spy, or hit man?”

It didn’t matter, thought Philippe gloomily. The walls of the Grand had been breached by a Russian. Resistance was now the order of the day. They retreated to their respective outposts, Ricardo to the grotto of Reception, Philippe to his pulpit near the lift. Ten minutes later came the first call from Room 237. Ricardo endured a Stalinesque tirade before murmuring a few soothing words and hanging up the phone. He looked at Philippe and smiled.

“Monsieur Lubin was wondering when his bags might arrive.”

“I’ll see to it right away,” said Philippe, smothering a yawn.

“He was also wondering whether something could be done about the heat in his room. He says it’s too warm, and the thermostat doesn’t seem to work.”

Philippe picked up his telephone and dialed Maintenance.

“Turn the heat up in Room 237,” he said. “Monsieur Lubin is cold.”

Had they witnessed the first few moments of Lubin’s stay, they would have felt certain in their belief that a miscreant was in their midst. How else to explain that he removed all the drawers from the chest and the bedside tables and unscrewed all the bulbs from the lamps and the light fixtures? Or that he stripped bare the deluxe queensize bed and pried the lid from the two- line message- center telephone? Or that he poured a complimentary bottle of mineral water into the toilet and hurled a pair of chocolates by Touvier of Geneva into the snow- filled street? Or that, having completed his rampage, he then returned the room to the near-pristine state in which he had found it?

It was because of his profession that he took these rather drastic measures, but his profession was not one of those suggested by Ricardo the receptionist. Aleksandr Viktorovich Lubin was neither a mobster nor a spy, nor a hit man, only a practitioner of the most dangerous trade one could choose in the brave New Russia: the trade of journalism. And not just any type of journalism: independent journalism. His magazine,Moskovsky Gazeta, was one of the country’s last investigative weeklies and had been a persistent stone in the shoe of the Kremlin. Its reporters and photographers were watched and harassed constantly, not only by the secret police but by the private security services of the powerful oligarchs they attempted to cover. Courchevel was now crawling with such men. Men who thought nothing of sprinkling transmitters and poisons around hotel rooms. Men who operated by the creed of Stalin:Death solves all problems. No man, no problem.

Confident the room had not been tampered with, Lubin again dialed the concierge to check on his bags and was informed they would arrive “imminently.” Then, after throwing open the balcony doors to the cold evening air, he settled himself at the writing desk and removed a file folder from his dog- eared leather briefcase. It had been given to him the previous evening by Boris Ostrovsky, the Gazeta’s editor in chief. Their meeting had taken place not in the Gazeta’s offices, which were assumed to be thoroughly bugged, but on a bench in the Arbatskaya Metro station.

I’m only going to give you part of the picture, Ostrovsky had said, handing Lubin the documents with practiced indifference. It’s for your own protection. Do you understand, Aleksandr? Lubin had understood perfectly. Ostrovsky was handing him an assignment that could get him killed.

He opened the file now and examined the photograph that lay atop the dossier. It showed a well- dressed man with cropped dark hair and a prizefighter’s rugged face standing at the side of the Russian president at a Kremlin reception. Attached to the photo was a thumbnail biography—wholly unnecessary, because Aleksandr Lubin, like every other journalist in Moscow, could recite the particulars of Ivan Borisovich Kharkov’s remarkable career from memory. Son of a senior KGB officer … graduate of the prestigious Moscow State University … boy wonder of the KGB’s Fifth Main Directorate … As the empire was crumbling, Kharkov had left the KGB and earned a fortune in banking during the anarchic early years of Russian capitalism. He had invested wisely in energy, raw materials, and real estate, and by the dawn of the millennium had joined Moscow’s growing cadre of newly minted multimillionaires. Among his many holdings was a shipping and air freight company with tentacles stretching across the Middle East, Africa, and Asia. The true size of his financial empire was impossible for an outsider to estimate. A relative newcomer to capitalism, Ivan Kharkov had mastered the art of the front company and the corporate shell.

Lubin flipped to the next page of the dossier, a glossy magazine-quality photograph of “Château Kharkov,” Ivan’s winter palace on the rue de Nogentil in Courchevel.

He spends the winter holiday there along with every other rich and famous Russian, Ostrovsky had said. Watch your step around the house. Ivan’s goons are all former Spetsnaz and OMON. Do you hear what I’m saying to you, Aleksandr? I don’t want you to end up like Irina Chernova.

Irina Chernova was the famous journalist from the Gazeta’s main rival who had exposed one of Kharkov’s shadier investments. Two nights after the article appeared, she had been shot to death by a pair of hired assassins in the elevator of her Moscow apartment building. Ostrovsky, for reasons known only to him, had included a photograph of her bullet- riddled body in the dossier. Now, as then, Lubin turned it over quickly.

Ivan usually operates behind tightly closed doors. Courchevel is one of the few places where he actually moves around in public. We want you to follow him, Aleksandr. We want to know who he’s meeting with. Who he’s skiing with. Who he’s taking to lunch. Get pictures when you can, but never approach him. And don’t tell anyone in town where you work. Ivan’s security boys can smell a reporter a mile away.

Ostrovsky had then handed Lubin an envelope containing airline tickets, a rental car reservation, and hotel accommodations. Check in with the office every couple of days, Ostrovsky had said. And try to have some fun, Aleksandr. Your colleagues are all very jealous. You get to go to Courchevel and party with the rich and famous while we freeze to death in Moscow.

On that note, Ostrovsky had risen to his feet and walked to the edge of the platform. Lubin had slipped the dossier into his briefcase and immediately broken into a drenching sweat. He was sweating again now. The damn heat! The furnace was still blazing away. He was starting to reach for the telephone to lodge another complaint when finally he heard the knock. He covered the length of the short entrance hall in two resentful strides and flung open the door without bothering to ask who was on the other side. A mistake, he thought immediately, for standing in the semidarkness of the corridor was a man of medium height, dressed in a dark ski jacket, a woolen cap, and mirrored goggles.

Lubin was wondering why anyone would wear goggles inside a hotel at night when the first blow came, a vicious sideways chop that seemed to crush his windpipe. The second strike, a well- aimed kick to the groin, caused his body to bend in half at the waist. He was able to emit no protest as the man slipped into the room and closed the door soundlessly behind him. Nor was he able to resist when the man forced him onto the bed and sat astride his hips. The knife that emerged from the inside of the ski jacket was the type wielded by elite soldiers. It entered Lubin’s abdomen just below the ribs and plunged upward toward his heart. As his chest cavity filled with blood, Lubin was forced to suffer the additional indignity of watching his own death reflected in the mirrored lenses of his killer’s goggles. The assassin released his grip on the knife and, with the weapon still lodged in Lubin’s chest, rose from the bed and calmly collected the dossier. Aleksandr Lubin felt his heart beat a final time as his killer slipped silently from the room. The heat, he was thinking. The damn heat . . .

It was shortly after seven when Philippe finally collected Monsieur Lubin’s bags from storage and loaded them onto the lift. Arriving at Room 237, he found the do not disturb sign hanging from the latch. In accordance with the conventions of Plan B, he gave the door three thunderous knocks. Receiving no reply, he drew his passkey from his pocket and entered, just far enough to see two size- twelve Russian loafers hanging a few inches off the end the bed. He left the bags in the entrance hall and returned to the lobby, where he delivered a report of his findings to Ricardo.

“Passed out drunk.”

The Spaniard glanced at his watch. “It’s early, even for a Russian. What now?”

“We’ll let him sleep it off. In the morning, when he’s good and hungover, we’ll initiate Phase Two.”

The Spaniard smiled. No guest had ever survived Phase Two. Phase Two was always fatal.
Reprinted from MOSCOW RULES by Daniel Silva by arrangement with G.P. Putnam’s Sons, a member of Penguin Group (USA) Inc., Copyright (c) 2008 by Daniel Silva.

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Praise

There is a reason that each successive book featuring Allon sells more than the last. Silva continues to provide some of the most exciting spy fiction since Ian Fleming put down his martini and invented James Bond.”
Rocky Mountain News

A masterwork… Some long-running series get tired; Silva’s just improves with each new book. Highly recommended.”
Library Journal

Silva packs his pages with detailed tradecraft — and with local color that lives and breathes of such settings as the French Riviera, London, Paris and (of course, given the title) Moscow.”
St. Louis Post-Dispatch

Put Moscow Rules atop your summer beach book list.”
St. Louis Post-Dispatch

Silva’s plot is wonderfully constructed, with plenty of action and suspense… Silva just gets better as the questions get harder.”
Chicago Sun-Times

A crackling yarn that keeps the pages turning.”
Manchester Journal

Daniel Silva has created some of the most memorable spy thrillers in the past 10 years.”
South Florida Sun-Sentinel (online)

Silva’s latest is both fast-past thriller with all the appropriate twists and turns and a fascinating look at the inner workings of Russian society today.”
Houston Press (online)

Moscow Rules is an addictive thriller and a cautionary tale.”
Military.com

Expertly written and plotted, with lots of suspense and a charming hero, this mystery entertains.”
Mystery Scene Magazine

You will find it a highly charged book that will keep you on the edge of your seat as you try to assist Gabriel in his endeavors. You will run with him, suffer with him, and love with him.”
—Texomaland.com (Community News Website for North Texas and Oklahoma)

Gabriel Allon-art restorer, master spy, and sanctioned assassin-returns in Silva’s 11th thriller about terrorism in our violent world. After the murder of an informant in St. Peter’s Basilica, Allon is sent to the newly wealthy but corrupt Moscow to stop arms dealer Ivan Kharkov from selling sophisticated weapons to al-Qaeda. Allon is caught and expelled after some nasty nights in a Russian prison. If the Russians won’t play fair, then it’s up to Allon and the rest of Israel’s intelligence network to do the job. The key to Kharkov is his wife, Elena, who collects the works of a particular American artist, and Allon’s art background enables him to get close to her. This results in an intricate dance that is a masterwork of technology and human foibles. Like all plans, however, Allon’s go awry, and this leads to a tense and exciting conclusion. Some long-running series get tired; Silva’s just improves with each new book. Highly recommended.”
—Robert Conroy, Library Journal

In Silva’s latest international thriller featuring Gabriel Allon, art restorer and sometimes Israeli secret agent, a former KGB colonel turned arms dealer is poised to deliver Russia’s most sophisticated weapons system to al-Qaeda and unleash an unprecedented wave of terrorist attacks—unless Allon can discover the details and derail the plan in time. Silva, a renowned master of suspense, delivers a compelling and fast-paced novel that may be his best yet.”
—MSN.com

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Excerpt

want to buy prednisone 1

Vladimirskaya Oblast, Russia

Pyotr Luzhkov was about to be killed, and for that he was grateful.

It was late October, but autumn was already a memory. It had been brief and unsightly, an old babushka hurriedly removing a threadbare frock. Now this: leaden skies, arctic cold, windblown snow. The opening shot of Russia’s winter without end.

Pyotr Luzhkov, shirtless, barefoot, hands bound behind his back, was scarcely aware of the cold. In fact, at that moment he would have been hard-pressed to recall his name. He believed he was being led by two men through a birch forest but could not be certain. It made sense they were in a forest. That was the place Russians liked to do their blood work. Kurapaty, Bykivnia, Katyn, Butovo. . . Always in the forests. Luzhkov was about to join a great Russian tradition. Luzhkov was about to be granted a death in the trees.

There was another Russian custom when it came to killing: the intentional infliction of pain. Pyotr Luzhkov had been forced to scale mountains of pain. They had broken his fingers and his thumbs. They had broken his arms and his ribs. They had broken his nose and his jaw. They had beaten him even when he was unconscious. They had beaten him because they had been told to. They had beaten him because they were Russians. The only time they had stopped was when they were drinking vodka. When the vodka was gone, they had beaten him even harder.

Now he was on the final leg of his journey, the long walk to a grave with no marker. Russians had a term for it: vyshaya mera, the highest form of punishment. Usually, it was reserved for traitors, but Pyotr Luzhkov had betrayed no one. He had been duped by his master’s wife, and his master had lost everything because of it. Someone had to pay. Eventually, everyone would pay.

He could see his master now, standing alone amid the matchstick trunks of the birch trees. Black leather coat, silver hair, head like a tank turret. He was looking down at the large-caliber pistol in his hand. Luzhkov had to give him credit. There weren’t many oligarchs who had the stomach to do their own killing. But then there weren’t many oligarchs like him.

The grave had already been dug. Luzhkov’s master was inspecting it carefully, as if calculating whether it was big enough to hold a body. As Luzhkov was forced to kneel, he could smell the distinctive cologne. Sandalwood and smoke. The smell of power. The smell of the devil.

The devil gave him one more blow to the side of his face. Luzhkov didn’t feel it. Then the devil placed the gun to the back of Luzkhov’s head and bade him a pleasant evening. Luzhkov saw a pink flash of his own blood. Then darkness. He was finally dead. And for that he was grateful.

2

London: January

The murder of Pyotr Luzhkov went largely unnoticed. No one mourned him; no women wore black for him. No Russian police officers investigated his death, and no Russian newspapers bothered to report it. Not in Moscow. Not in St. Petersburg. And surely not in the Russian city sometimes referred to as London. Had word of Luzhkov’s demise reached Bristol Mews, home of Colonel Grigori Bulganov, the Russian defector and dissident, he would not have been surprised, though he would have felt a pang of guilt. If Grigori hadn’t locked poor Pyotr in Ivan Kharkov’s personal safe, the bodyguard might still be alive.

Among the lords of Thames House and Vauxhall Cross, the riverfront headquarters of MI5 and MI6, Grigori Bulganov had always been a source of much fascination and considerable debate. Opinion was diverse, but then it usually was when the two services were forced to take positions on the same issue. He was a gift from the gods, sang his backers. He was a mixed bag at best, muttered his detractors. One wit from the top floor of Thames House famously described him as the defector Downing Street needed like a leaky roof—as if London, now home to more than a quarter million Russian citizens, had a spare room for another malcontent bent on making trouble for the Kremlin. The MI5 man had gone on the record with his prophecy that one day they would all regret the decision to grant Grigori Bulganov asylum and a British passport. But even he was surprised by the speed with which that day came.

A former colonel in the counterintelligence division of the Russian Federal Security Service, better known as the FSB, Grigori Bulganov had washed ashore late the previous summer, the unexpected by-product of a multinational intelligence operation against one Ivan Kharkov, Russian oligarch and international arms dealer. Only a handful of British officials were told the true extent of Grigori’s involvement in the case. Fewer still knew that, if not for his actions, an entire team of Israeli operatives might have been killed on Russian soil. Like the KGB defectors who came before him, Grigori vanished for a time into a world of safe houses and isolated country estates. A joint Anglo-American team hammered at him day and night, first on the structure of Ivan’s arms trafficking network, for which Grigori had shamefully worked as a paid agent, then on the tradecraft of his former service. The British interrogators found him charming; the Americans less so. They insisted on fluttering him, which in Agencyspeak meant subjecting him to a lie-detector test. He passed with flying colors.

When the debriefers had had their fill, and it came time to decide just what to do with him, the bloodhounds of internal security conducted highly secret reviews and issued their recommendations, also in secret. In the end, it was deemed that Grigori, though reviled by his former comrades, faced no serious threat. Even the once-feared Ivan Kharkov, who was licking his wounds in Russia, was deemed incapable of concerted action. The defector made three requests: he wanted to keep his name, to reside in London, and to have no overt security. Hiding in plain sight, he argued, would give him the most protection from his enemies. MI5 readily agreed to his demands, especially the third. Security details required money, and the human resources could be put to better use elsewhere, namely against Britain’s homegrown jihadist extremists. They bought him a lovely mews cottage in a backwater of Maida Vale, arranged a generous monthly stipend, and made a onetime deposit in a City bank that would surely have caused a scandal if the amount ever became public. An MI5 lawyer quietly negotiated a book deal with a respected London publisher. The size of the advance raised eyebrows among the senior staff of both services, most of whom were working on books of their own—in secret, of course.

For a time it seemed Grigori would turn out to be the rarest of birds in the intelligence world: a case without complications. Fluent in English, he took to life in London like a freed prisoner trying to make up for lost time. He frequented the theater and toured the museums. Poetry readings, ballet, chamber music: he did them all. He settled into work on his book and once a week lunched with his editor, who happened to be a porcelain-skinned beauty of thirty-two. The only thing missing in his life was chess. His MI5 minder suggested he join the Central London Chess Club, a venerable institution founded by a group of civil servants during the First World War. His application form was a masterpiece of ambiguity. It supplied no address, no home telephone, no mobile, and no e-mail. His occupation was described as “translation services,” his employer as “self.” Asked to list any hobbies or outside interests, he had written “chess.”

But no high-profile case is ever entirely free of controversy—and the old hands warned they had never met a defector, especially a Russian defector, who didn’t lose a wheel from time to time. Grigori’s came off the day the British prime minister announced a major terrorist plot had been disrupted. It seemed al-Qaeda had planned to simultaneously shoot down several jetliners using Russian-made antiaircraft missiles—missiles they had acquired from Grigori’s former patron, Ivan Kharkov. Within twenty-four hours, Grigori was seated before the cameras of the BBC, claiming he had played a major role in the affair. In the days and weeks that followed, he would remain a fixture on television, in Britain and elsewhere. His celebrity status now cemented, he began to move in Russian émigré circles and cavort with Russian dissidents of every stripe. Seduced by the sudden attention, he used his newfound fame as a platform to make wild accusations against his old service and against the Russian president, whom he characterized as a Hitler in the making. When the Kremlin responded with uncomfortable noises about Russians plotting a coup on British soil, Grigori’s minder suggested he tone things down. So, too, did his editor, who wanted to save something for the book.

Grudgingly, the defector lowered his profile, but only by a little. Rather than pick fights with the Kremlin, he focused his considerable energy on his forthcoming book and on his chess. That winter he entered the annual club tournament and moved effortlessly through his bracket—like a Russian tank through the streets of Prague, grumbled one of his victims. In the semifinals, he defeated the defending champion without breaking a sweat. Victory in the finals appeared inevitable.

On the afternoon of the championship, he lunched in Soho with a reporter from Vanity Fair magazine. Returning to Maida Vale, he purchased a house plant from the Clifton Nurseries and collected a parcel of shirts from his laundry in Elgin Avenue. After a brief nap, a prematch ritual, he showered and dressed for battle, departing his mews cottage a few minutes before six.

All of which explains why Grigori Bulganov, defector and dissident, was walking along London’s Harrow Road at 6:12 p.m. on the second Tuesday of January. For reasons that would be made clear later, he was moving at a faster pace than normal. As for chess, it was by then the last thing on his mind.

The match was scheduled for half past six at the club’s usual venue, the Lower Vestry House of St. George’s Church in Bloomsbury. Simon Finch, Grigori’s opponent, arrived at a quarter past. Shaking the rainwater from his oilskin coat, he squinted at a trio of notices tacked to the bulletin board in the foyer. One forbade smoking, another warned against blocking the corridor in case of fire, and a third, hung by Finch himself, pleaded with all those who used the premises to recycle their rubbish. In the words of George Mercer, club captain and six-time club champion, Finch was “a Camden Town crusty,” bedecked with all the required political convictions of his tribe. Free Palestine. Free Tibet. Stop the Genocide in Darfur. End the War in Iraq. Recycle or Die. The only cause Finch didn’t seem to believe in was work. He described himself as “a social activist and freelance journalist,” which Clive Atherton, the club’s reactionary treasurer, accurately translated as “layabout and sponge.” But even Clive was the first to admit that Finch possessed the loveliest of games: flowing, artistic, instinctive, and ruthless as a snake. “Simon’s costly education wasn’t a total waste,” Clive was fond of saying. “Just misapplied.”

His surname was a misnomer, for Finch was long and languid, with limp brown hair that hung nearly to his shoulders and wire-rimmed spectacles that magnified the resolute gaze of a revolutionary. To the bulletin board he added a fourth item now—a fawning letter from the Regent Hall Church thanking the club for hosting the first annual Salvation Army chess tournament for the homeless—then he drifted down the narrow corridor to the makeshift cloakroom, where he hung his coat on the rollaway rack. In the kitchenette, he deposited twenty pence in a giant piggy bank and drew a cup of tepid coffee from a silver canister marked chess club. Young Tom Blakemore—a misnomer as well, for Young Tom was eighty-five in the shade—bumped into him as he was coming out. Finch seemed not to notice. Interviewed later by a man from MI5, Young Tom said he had taken no offense. After all, not a single member of the club gave Finch even an outside chance of winning the cup. “He looked like a man being led to the gallows,” said Young Tom. “The only thing missing was the black hood.”

Finch entered the storage cabinet and from a row of sagging shelves collected a board, a box of pieces, an analog tournament clock, and a score sheet. Coffee in one hand, match supplies carefully balanced in the other, he entered the vestry’s main room. It had walls the color of mustard and four grimy windows: three peering onto the pavements of Little Russell Street and a fourth squinting into the courtyard. On one wall, below a small crucifix, was the tournament bracket. One match remained to be played: s. finch vs. g. bulganov.

Finch turned and surveyed the room. Six trestle tables had been erected for the evening’s play, one reserved for the championship, the rest for ordinary matches—“friendlies,” in the parlance of the club. A devout atheist, Finch chose the spot farthest from the crucifix and methodically prepared for the contest. He checked the tip of his pencil and wrote the date and the board number on the score sheet. He closed his eyes and saw the match as he hoped it would unfold. Then, fifteen minutes after taking his seat, he looked up at the clock: 6:42. Grigori was late. Odd, thought Finch. The Russian was never late.

 

He began moving pieces in his mind—saw a king lying on its side in resignation, saw Grigori hanging his head in shame—and he watched the relentless march of the clock.

6:45 . . . 6:51 . . . 6:58 . . .

Where are you, Grigori? he thought. Where the hell are you?

Ultimately, Finch’s role would be minor and, in the opinion of all involved, mercifully brief. There were some who wanted to have a closer look at a few of his more deplorable political associations. There were others who refused to touch him, having rightly judged Finch to be a man who would relish nothing more than a good public spat with the security services. In the end, however, it would be determined his only crime was one of sportsmanship. Because at precisely 7:05 p.m.—the time recorded in his own hand on the official score sheet—he exercised his right to claim victory by forfeiture, thus becoming the first player in club history to win the championship without moving a single piece. It was a dubious honor, one that the chess players of British intelligence would never quite forgive.

Ari Shamron, the legendary Israeli spymaster, would later say that never before had so much blood flowed from so humble a beginning. But even Shamron, who was guilty of the occasional rhetorical flourish, knew the remark was far from accurate. For the events that followed had their true origins not in Grigori’s disappearance but in a feud of Shamron’s own making. Grigori, he would confide to his most devoted acolytes, was but a shot over our complacent bow. A signal fire on a distant watchtower. And the bait used to lure Gabriel into the open.

By the following evening, the score sheet was in the possession of MI5, along with the entire tournament logbook. The Americans were informed of Grigori’s disappearance twenty-four hours later, but, for reasons never fully explained, British intelligence waited four long days before getting around to telling the Israelis. Shamron, who had fought in Israel’s war of independence and loathed the British to this day, found the delay predictable. Within minutes he was on the phone to Uzi Navot giving him marching orders. Navot reluctantly obeyed. It was what Navot did best.

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Praise

With a dollop of Simon Templar, a dash of Jack Bauer, the urbanity of Graham Greene and the humanity of John LeCarré, Daniel Silva has hit on the perfect formula to keep espionage-friendly fans’ fingers glued to his books, turning pages in nearly breathless expectation.”
Bookpage.com, Thane Tierney

Timely and at times almost unbearably tense, The Defector proves that of those writing spy novels today, Daniel Silva is quite simply the best.”
Kansas City Star, Leslie McGill

Gabriel Allon, Israeli superagent and government-sanctioned assassin comes out of retirement in Italy to repay a debt of honor. A Russian defector who twice saved Allon’s life has been kidnapped and returned to Russia by former KGB thug and illegal arms dealer, Ivan Kharkov. (we have edited out spoiler line here)…. A gripping tale of bloody vengeance, spycraft, international finance, and politics ensues. Using the ensemble cast from previous novels, Silva (Moscow Rules) takes the reader on a hair-raising ride through London, Italy, and Moscow.

Verdict Once again, Silva has written a suspenseful novel of espionage, violence, and corruption. His aging Allon is an assassin with a soul. He is tiring of violence; could this be the last Allon novel? One hopes not.”
Library Journal, Robert Conroy, Warren, MI

Silva’s thrillers bring readers the best of all spy worlds. The action roars along, touching down in both glamorous settings and godforsaken outposts…Silva juxtaposes scenes of great beauty, as when he details the Umbrian villa in which Allon does his restoration work, with shuddering scenes of violence. For readers who crave both deft characterization and old-fashioned, spy-novel action.”
Booklist

If an injury has to be done to a man it should be so severe that his vengeance need not be feared.” The ninth book in Daniel Silva’s smart, fast-paced series about enigmatic assassin and art restorer Gabriel Allon begins with an epigraph courtesy of Machiavelli. A fitting start to a twisty spy thriller chock full of clandestine meetings, tenuous alliances, and ruthless men. The beauty of Silva’s series is that it is easy on acronyms and byzantine operations (so you don’t have to be a spy novel aficionado to enjoy it), and each book gives you a discreet rundown on familiar characters and back-stories (so you don’t have to start at the beginning). In The Defector, the disappearance of Russian defector and dissident Grigori Bulganov draws Gabriel out of semi-retirement and into the path of Ivan Kharkov, the former KGB agent and Russian oligarch from Moscow Rules. Exotic locales, intriguing characters, and a breakneck pace make for a riveting summer read.
Amazon, Daphne Durham

Gabriel Allon has been and continues to be one of the most fascinating espionage agents for years in perhaps the best thriller series on the market in the past decade… The follow up to the super MOSCOW RULES is excellent… but as always Daniel Silva provides another great entry that will elate fans who will also wonder how the author can top THE DEFECTOR.”
—Harriet Klausner

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Behind the Series

In 2000, after publishing The Marching Season, the second book in the Michael Osbourne series, I decided it was time for a change. We were nearing the end of the Clinton administration, and the president was about to embark on a final, last-ditch effort to bring peace to the Middle East. I had the broad outlines of a story in mind. It was the story of a hard-line Palestinian terrorist who wanted to torpedo the peace process by carrying out a wave of high-profile attacks in Europe and America. And it was the story of an Israeli assassin and intelligence officer who would be given the assignment of stopping him. The Palestinian would be called Tariq al-Hourani. The Israeli, as yet, had no name, and I thought long and hard before giving him one. I wanted it to be biblical, like my own. I finally decided to name him after the archangel Gabriel. It is a beautiful name, and it is filled with much religious and historical symbolism. Gabriel is the mightiest of God’s angels and His most important messenger. He is the prince of fire and the guardian of Israel. And, perhaps most important, Gabriel is the angel of revenge. I decided that Gabriel’s last name should short, simple, and somewhat neutral: Allon. In Hebrew, it means “oak tree.” I liked the image it conveyed, for Gabriel Allon was definitely solid as an oak.

Unlike the archangel Gabriel, who is said to reside at the right hand of God, Gabriel Allon the man was born in a small, dusty agricultural town in the Jezreel Valley of Israel. His parents were German Holocaust survivors and spoke German at home. As a result, young Gabriel’s first language was German rather than Hebrew, and German remains the language of his dreams to this day. We know little about Gabriel’s father, other than the fact that he was killed during the Six-Day War in 1967. His mother, Irene, was the far more dominant force in his life. The daughter of Viktor Frankel, a well-known German expressionist painter who was murdered at Auschwitz in 1942, she was one of the most important painters in the young State of Israel. Gabriel inherited his mother’s artistic talent and, after completing his mandatory service in the Israeli army, entered the Bezalel Academy of Art and Design in Jerusalem, Israel’s national school of art. He was studying there in September 1972, when Palestinian terrorists kidnapped and murdered eleven Israeli athletes and coaches at the Olympic Games in Munich, Germany. A week after the massacre, a man came to Bezalel to see Gabriel. He was a small, wiry figure with hands that looked as though they had been borrowed from someone twice his size and teeth that looked like a steel trap. His name was Ari Shamron, and he was about to forever change the course of young Gabriel’s life.

Ari Shamron was a legendary operative in the Israeli secret service whose exploits included the 1960 capture of Adolf Eichmann, the architect of the Final Solution. On that day in September 1972, he had just been given a new assignment by Prime Minister Golda Meir: to hunt down and kill the Black September terrorists responsible for the massacre in Munich, many of whom were living openly in Europe. To carry out that task, he needed a young man who could move around the continent without attracting unwanted attention. He needed a young man who could speak a European language and who had the emotional coldness necessary to kill many men at close quarters. He chose the child of Holocaust survivors who still spoke German in his dreams. After undergoing a month of intense training, Gabriel was sent to Rome, where he killed a man named Wadal Abdel Zwaiter, Black September’s chief of operations in Italy. Over the next three years, Gabriel would kill five more terrorists, all at close range with a .22 caliber Beretta.

In 1975, when returned to Israel at the end of the mission, his appearance had changed dramatically. He looked much older than his twenty-five years and his hair had gone to gray at his temples—“smudges of ash on the prince of fire,” as Shamron liked to say. Haunted by the faces of the men whom he had killed, Gabriel found he could no longer paint. With Shamron’s help, he settled in Venice under an assumed identity and served an apprenticeship with master art restorer Umberto Conti. For the next fifteen years, he lived exclusively in Europe, restoring paintings under the name Mario Delvecchio and carrying out assassinations for the State of Israel. In 1991, at the beginning of the first Gulf War, he was tracking the movements of a terrorist in Vienna when a concealed bomb exploded in his car, killing his young son and grievously wounding his wife, Leah. The terrorist who carried out the attack was named Tariq al-Hourani, the man whom Gabriel would be assigned to kill nine years later.

The story of that assignment is told in The Kill Artist, which was supposed to be the first and only Gabriel Allon novel. I never liked the title. In fact, I loath it to this day. It was forced on me by an editor I otherwise adored because he didn’t like the title I had placed on the manuscript, which was Prince of Fire. Despite the title, the book was an instant New York Times bestseller. When I moved to Putnam in 2001, the legendary publisher Phyllis Grann suggested that I turn Gabriel into a continuing character. I thought it was a terrible idea, and I told her so. I felt there was too much anti-Semitism in the world, and far too much hatred of Israel, to make a continuing Israeli character palatable to a mass audience. She told me I was wrong and ordered me to get to work on the follow-up. It was called The English Assassin, and it sold nearly twice as many copies as The Kill Artist. The next book, The Confessor, sold even more. In fact, each of the novels as sold more than its predecessor. For the record, Phyllis Grann was right, and I was wrong.

I am asked often whether it is necessary to read the novels in order. The answer is no, but it probably doesn’t hurt. For the record, the order of publication is as follows: The Kill ArtistThe English AssassinThe ConfessorA Death in ViennaPrince of FireThe MessengerThe Secret Servant, and Moscow Rules. The stories follow a familiar pattern fans of the series have come to expect: Gabriel is drawn out of retirement or seclusion, usually by a murder or some other act of violence, and soon finds himself at the center of a fast-paced, swirling international adventure. Several memorable sub-characters appear throughout the series: Eli Lavon, the surveillance artist and Gabriel’s old friend from the Black September operation; Uzi Navot, the chief of the Special Operations directorate who forever toils in Gabriel’s shadow; Julian Isherwood, the London art dealer and volunteer helper of Israeli intelligence who provides legitimate work for Gabriel’s cover; Adrian Carter, the deputy director of the CIA; and, of course, Ari Shamron, the legendary former chief of Israeli intelligence who refuses to allow Gabriel to live in peace.

The series contains two internal trilogies. The first consists of The English AssassinThe Confessor, and A Death in Vienna and explores what I call “the unfinished business of the Holocaust.” The English Assassin deals with Nazi art looting and the actions of Switzerland during the Second World War. The Confessor wrestles with the role of the Roman Catholic Church during the Holocaust and the actions, or lack thereof, of Pope Pius XII. A Death in Vienna tells the story of Gabriel’s quest to bring justice to a Nazi war criminal, a man whom his mother encountered during the Death March from Auschwitz in January 1945. It remains my favorite.

The second internal trilogy consists of Prince of FireThe Messenger, and The Secret Servant and deals with the question of terrorism in the modern world. Prince of Fire explores the roots of Palestinian terrorism through a story of revenge, The Messenger takes a hard look at the role Saudi Arabia played in creating al-Qaeda and its affiliates, and The Secret Servant surveys the rise of militant Islam in Europe.

Moscow Rules, the eighth book in the series, finds Gabriel on assignment in the New Russia. He has changed much since we first met him. He is a bit older, much wiser, and his cover has been blown many times over. He is a friend of both the American president and the Pope, and moves at the highest levels of Western intelligence in London and Washington. He has returned to Europe and resides now on a secluded estate in Umbria, where he restores paintings in secret for the Vatican Picture Gallery. After many years of dithering, he has finally come to his senses and married Chiara Zolli, a beautiful Venetian Jew whom he first met during the course of The Confessor. Like Gabriel, Chiara works as an undercover operative for Israeli intelligence. She is interested in starting a family. Gabriel, who lost one family to his enemies, is not at all sure he’s capable of having another.

As for his first wife, Leah, she resides now in a psychiatric hospital on Mount Herzl in Jerusalem, locked in a prison of memory. From her favorite spot in the hospital’s garden, she can see across Jerusalem to the spot on the Mount of Olives, where her only son is buried. Gabriel’s encounters with Leah are some of the most touching and memorable scenes in the series. They are also highly symbolic. Scarred by fire, Leah resembles a canvas that has suffered significant paint losses. She is the one thing Gabriel cannot restore. She is the price he has paid for a life spent battling the forces of evil—a life that began one day in September 1972, when a man named Ari Shamron came to the Bezalel Academy of Fine Art and Design and asked a gifted young painter to lay down his brushes and pick up a gun instead.

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Excerpt

PROLOGUE PORT NAVAS, CORNWALL
By coincidence it was Timothy Peel who first learned that the stranger had returned to Cornwall. He made the discovery shortly before midnight on a rain-swept Wednesday in mid- September. And only because he had politely declined the persis­tent entreaties from the boys at work to attend the midweek bash at the Godolphin Arms up in Marazion.

It was a mystery to Peel why they still bothered to invite him. Truth be told, he had never cared much for the company of drinkers. And these days, whenever he set foot in a pub, there was at least one intoxicated soul who would try to badger him into talking about “little Adam Hathaway.” Six months earlier, in one of the most dramatic rescues in the history of the Royal Na­tional Lifeboat Institution, Peel had plucked the six-year-old boy from the treacherous surf off Sennen Cove. The newspapers had crowned Peel a national hero but were then dumbfounded when the broad-shouldered twenty-two-year-old with movie-idol looks refused to grant a single interview. Peel’s silence privately an­noyed his colleagues, any one of whom would have leapt at the chance for a few moments of celebrity, even if it meant reciting the old clichés about “the importance of teamwork” and “the proud traditions of a proud service.” Nor did it sit well with the beleaguered residents of West Cornwall, who were always look­ing for a good reason to boast about a local boy and stick it to the English snobs from “up-country.” From Falmouth Bay to Land’s End, the mere mention of Peel’s name invariably provoked a puzzled shake of the head. A bit odd, they would say. Always was. Must have been the divorce. Never knew his real father. And that mother! Always took up with the wrong sort. Remember Derek, the whiskey-soaked playwright? Heard he used to beat the lad. At least that was the rumor in Port Navas.

It was true about the divorce. And even the beatings. In fact, most of the idle gossip about Peel had a ring of accuracy. But none of it had anything to do with his refusal to accept his role as hero. Peel’s silence was a tribute to a man he had known only briefly, a long time ago. A man who had lived just up Port Navas Quay in the old foreman’s cottage near the oyster farm. A man who had taught him how to sail and how to repair old mo­torcars; who had taught him about the power of loyalty and the beauty of opera. A man who had taught him there was no reason to boast simply for doing one’s job.

The man had a poetic foreign-sounding name, but Peel had always thought of him only as the stranger. He had been Peel’s accomplice, Peel’s guardian angel. And even though he had been gone from Cornwall for many years now, Peel occasionally still watched for him, just as he had when he was a boy of eleven. Peel still had the dog-eared logbook he had kept of the stranger’s erratic comings and goings, and the photos of the eerie white lights that used to glow in the stranger’s cottage at night. And even now, Peel could picture the stranger at the wheel of his be­loved wooden ketch, coming up the Helford Passage after a long night alone on the sea. Peel would always be waiting in his bed­room window, his arm raised in a silent salute. And the stranger, when he spotted him, would always flash his running lights twice in response.

There were few reminders of those days left in Port Navas. Peel’s mother had moved to the Algarve coast of Portugal with her new lover. Derek the drunken playwright was rumored to be living in a beachfront hut in Wales. And the old foreman’s cottage had been completely renovated and was now owned by posh weekenders from London who threw loud parties and were for­ever yelling at their spoiled children. All that remained of the stranger was his ketch, which he had bequeathed to Peel the night he fled Cornwall for parts unknown.

On that rainy evening in mid-September, the boat was bob­bing at its mooring in the tidal creek, waves nudging gently against its hull, when an unfamiliar engine note lifted Peel from his bed and carried him back to his familiar outpost in the window. There, peering into the wet gloom, he spotted a metallic gray Range Rover making its way slowly along the road. It came to a stop outside the old foreman’s cottage and idled a moment, headlamps doused, wipers beating a steady rhythm. Then the driver’s-side door suddenly swung open, and a figure emerged wearing a dark green Barbour raincoat and a waterproof flat cap pulled low over his brow. Even from a distance, Peel knew instantly it was the stranger. It was the walk that betrayed him—the confident, pur­poseful stride that seemed to propel him effortlessly toward the edge of the quay. He paused there briefly, carefully avoiding the pool of light from the single lamp, and stared at the ketch. Then he quickly descended the flight of stone steps to the river and disappeared from view.

At first, Peel wondered whether the stranger had come back to lay claim to the boat. But that fear receded when he sud­denly reappeared, clutching a small parcel in his left hand. It was about the size of a hardcover book and appeared to be wrapped in plastic. Judging from the coat of slime on the surface, the package had been concealed for a long time. Peel had once imag­ined the stranger to be a smuggler. Perhaps he had been right after all.

It was then Peel noticed that the stranger was not alone. Someone was waiting for him in the front seat of the Rover. Peel couldn’t quite make out the face, only a silhouette and a halo of riotous hair. He smiled for the first time. It seemed the stranger finally had a woman in his life.

Peel heard the muffled thump of a door closing and saw the Rover lurch instantly forward. If he hurried, there was just enough time to intercept it. Instead, in the grips of a feeling he had not known since childhood, he stood motionless in the window, arm raised in a silent salute. The Rover gathered speed and for an in­stant Peel feared the stranger had not seen the signal. Then it slowed suddenly and the headlamps flashed twice before passing beneath Peel’s window and vanishing into the night.

Peel remained at his post a moment longer, listening as the sound of the engine faded into silence. Then he climbed back into bed and pulled his blankets beneath his chin. His mother was gone, Derek was in Wales, and the old foreman’s cottage was under foreign occupation. But for now, Peel was not alone. The stranger had returned to Cornwall.

PART 1
PROVENANCE I GLASTONBURY, ENGLAND

Though the stranger did not know it, two disparate series of events were by that night already conspiring to lure him back onto the field of battle. One was being played out behind the locked doors of the world’s secret intelligence services while the other was the subject of a global media frenzy. The newspapers had dubbed it “the summer of theft,” the worst epidemic of art heists to sweep Europe in a generation. Across the Continent, priceless paintings were disappearing like postcards plucked from the rack of a sidewalk kiosk. The anguished masters of the art universe had professed shock over the rash of robberies, though the true professionals inside law enforcement admitted it was small wonder there were any paintings left to steal. “If you nail a hundred million dollars to a poorly guarded wall,” said one be­leaguered official from Interpol, “it’s only a matter of time before a determined thief will try to walk away with it.”

The brazenness of the criminals was matched only by their competence. That they were skilled was beyond question. But what the police admired most about their opponents was their iron discipline. There were no leaks, no signs of internal intrigue, and not a single demand for ransom—at least not a real one. The thieves stole often but selectively, never taking more than a single painting at a time. These were not amateurs looking for quick scores or organized crime figures looking for a source of underworld cash. These were art thieves in the purest sense. One weary detective predicted that in all likelihood the paintings taken that long, hot summer would be missing for years, if not decades. In fact, he added morosely, chances were extremely good they would find their way into the Museum of the Missing and never be seen by the public again.

Even the police marveled at the variety of the thieves’ game. It was a bit like watching a great tennis player who could win on clay one week and grass the next. In June, the thieves recruited a disgruntled security guard at the Kunsthistorisches Museum in Vienna and carried out an overnight theft of Caravaggio’s David with the Head of Goliath. In July, they opted for a daring commando-style raid in Barcelona and relieved the Museu Picasso of Portrait of Señora Canals. Just one week later, the lovely Maisons à Fenouil­let vanished so quietly from the walls of the Matisse Museum in Nice that bewildered French police wondered whether it had grown a pair of legs and walked out on its own. And then, on the last day of August, there was the textbook smash-and-grab job at the Courtauld Gallery in London that netted Self-Portrait withBandaged Ear by Vincent van Gogh. Total time of the operation was a stunning ninety-seven seconds—even more impressive given the fact that one of the thieves had paused on the way out a second- floor window to make an obscene gesture toward Mo­digliani’s lusciousFemale Nude. By that evening, the surveillance video was required viewing on the Internet. It was, said the Cour­tauld’s distraught director, a fitting end to a perfectly dreadful summer.

The thefts prompted a predictable round of finger-pointing over lax security at the world’s museums. The Times reported that a recent internal review at the Courtauld had strongly recom­mended moving the Van Gogh to a more secure location. The findings had been rejected, however, because the gallery’s director liked the painting exactly where it was. Not to be outdone, the Telegraph weighed in with an authoritative series on the financial woes affecting Britain’s great museums. It pointed out that the Na­tional Gallery and the Tate didn’t even bother to insure their col­lections, relying instead on security cameras and poorly paid guards to keep them safe. “We shouldn’t be asking ourselves how it is great works of art disappear from museum walls,” the renowned London art dealer Julian Isherwood told the newspaper. “Instead, we should be asking ourselves why it doesn’t happen more often. Little by little, our cultural heritage is being plundered.”

The handful of museums with the resources to increase secu­rity rapidly did so while those living hand to mouth could only bar their doors and pray they were not next on the thieves’ list. But when September passed without another robbery, the art world breathed a collective sigh of relief and blithely reassured itself the worst had passed. As for the world of mere mortals, it had already moved on to weightier matters. With wars still raging in Iraq and Afghanistan, and the global economy still teetering on the edge of the abyss, few could muster a great deal of moral outrage over the loss of four rectangles of canvas covered in paint. The head of one international-aid organization estimated that the combined value of the missing works could feed the hungry in Africa for years to come. Would it not be better, she asked, if the rich did something more useful with their excess millions than line their walls and fill their secret bank vaults with art?

Such words were heresy to Julian Isherwood and his brethren, who depended on the avarice of the rich for their living. But they did find a receptive audience in Glastonbury, the ancient city of pilgrimage located west of London in the Somerset Levels. In the Middle Ages, the Christian faithful had flocked to Glastonbury to see its famous abbey and to stand beneath the Holy Thorn tree, said to have sprouted when Joseph of Arimathea, disciple of Jesus, laid his walking stick upon the ground in the Year of Our Lord 63. Now, two millennia later, the abbey was but a glorious ruin, the remnants of its once-soaring nave standing forlornly in an emerald parkland like gravestones to a dead faith. The new pil­grims to Glastonbury rarely bothered to visit, preferring instead to traipse up the slopes of the mystical hill known as the Tor or to shuffle past the New Age paraphernalia shops lining the High Street. Some came in search of themselves; others, for a hand to guide them. And a few actually still came in search of God. Or at least a reasonable facsimile of God.

Christopher Liddell had come for none of these reasons. He had come for a woman and stayed for a child. He was not a pil­grim. He was a prisoner.

It was Hester who had dragged him here—Hester, his great­est love, his worst mistake. Five years earlier, she had demanded they leave Notting Hill so she could find herself in Glastonbury. But in finding herself, Hester discovered the key to her happiness lay in shedding Liddell. Another man might have been tempted to leave. But while Liddell could live without Hester, he could not contemplate life without Emily. Better to stay in Glastonbury and suffer the pagans and druids than return to London and become a faded memory in the mind of his only child. And so Liddell buried his sorrow and his anger and soldiered on. That was Lid­dell’s approach to all things. He was reliable. In his opinion, there was no better thing a man could be.

Glastonbury was not entirely without its charms. One was the Hundred Monkeys café, purveyor of vegan and environmen­tally friendly cuisine since 2005, and Liddell’s favorite haunt. Lid­dell sat at his usual table, a copy of the Evening Standard spread protectively before him. At an adjacent table, a woman of late middle age was reading a book entitledAdult Children: The Secret Dysfunction. In the far back corner, a bald prophet in flowing white pajamas was lecturing six rapt pupils about something to do with Zen spiritualism. And at the table nearest the door, hands bunched contemplatively beneath an unshaved chin, was a man in his thir­ties. His eyes were flickering over the bulletin board. It was filled with the usual rubbish—an invitation to join the Glastonbury Positive Living Group, a free seminar on owl pellet dissection, an advertisement for Tibetan pulsing healing sessions—but the man appeared to be scrutinizing it with an unusual devotion. A cup of coffee stood before him, untouched, next to an open notebook, also untouched. A poet searching for the inspiration, thought Lid­dell. A polemicist waiting for the rage.

Liddell examined him with a practiced eye. He was dressed in tattered denim and flannel, the Glastonbury uniform. His hair was dark and pulled back into a stubby ponytail, his eyes were nearly black and slightly glazed. On the right wrist was a watch with a thick leather band. On the left were several cheap silver bracelets. Liddell searched the hands and forearms for evidence of tattoos but found none. Odd, he thought, for in Glastonbury even grandmothers proudly sported their ink. Pristine skin, like sun in winter, was rarely seen.

The waitress appeared and flirtatiously placed a check in the center of Liddell’s newspaper. She was a tall creature, quite pretty, with pale hair parted in the center and a tag on her snug-fitting sweater that read GRACE. Whether it was her name or the state of her soul, Liddell did not know. Since Hester’s departure, he had lost the capacity to converse with strange women. Besides, there was someone else in his life now. She was a quiet girl, forgiving of his failings, grateful for his affections. And most of all, she needed him as much he needed her. She was the perfect lover. The perfect mistress. And she was Christopher Liddell’s secret.

He paid the bill in cash—he was at war with Hester over credit cards, along with nearly everything else—and made for the door. The poet-polemicist was scribbling furiously on his pad. Liddell slipped past and stepped into the street. A prickly mist was falling, and from somewhere in the distance he could hear the beating of drums. Then he remembered it was a Thursday, which meant it was shamanic drum therapy night at the Assembly Rooms.

He crossed to the opposite pavement and made his way along the edge of St. John’s Church, past the parish preschool. Tomor­row afternoon at one o’clock, Liddell would be standing there among the mothers and the nannies to greet Emily as she emerged. By judicial fiat he had been rendered little more than a babysitter. Two hours a day was his allotted time, scarcely enough for more than a spin on the merry-go-round and a bun in the sweets shop. Hester’s revenge.

He turned into Church Lane. It was a narrow alleyway bordered on both sides by high stone walls the color of flint. As usual, the only lamp was out, and the street was black as pitch. Liddell had been meaning to buy a small torch, like the ones his grand­parents had carried during the war. He thought he heard foot­falls behind him and peered over his shoulder into the gloom. It was nothing, he decided, just his mind playing tricks. Silly you, Christopher, he could hear Hester saying. Silly, silly you.

At the end of the lane was a residential district of terraced cot­tages and semidetached houses. Henley Close lay at the northern­most edge, overlooking a sporting field. Its four cottages were a bit larger than most in the neighborhood and were fronted by walled gardens. In Hester’s absence, the garden at No. 8 had taken on a melancholy air of neglect that was beginning to earn Liddell nasty looks from the couple next door. He inserted his key and turned the latch. Stepping into the entrance hall, he was greeted by the chirping of the security alarm. He entered the disarm code into the keypad—an eight-digit numeric version of Emily’s birth date—and climbed the stairs to the top floor. The girl waited there, cloaked in darkness. Liddell switched on a lamp.

She was seated in a wooden chair, a wrap of jeweled silk draped over her shoulders. Pearl earrings dangled at the sides of her neck; a gold chain lay against the pale skin of her breasts. Liddell reached out and gently stroked her cheek. The years had lined her face with cracks and creases and yellowed her alabaster skin. It was no matter; Liddell possessed the power to heal her. In a glass beaker, he prepared a colorless potion—two parts acetone, one part methyl proxitol, and ten parts mineral spirits—and moist­ened the tip of a cotton-wool swab. As he twirled it over the curve of her breast, he looked directly into her eyes. The girl stared back at him, her gaze seductive, her lips set in a playful half smile.

Liddell dropped the swab to the floor and fashioned a new one. It was then he heard a noise downstairs that sounded like the snap of a lock. He sat motionless for a moment, then tilted his face toward the ceiling and called, “Hester? Is that you?” Receiv­ing no reply, he dipped the fresh swab in the clear potion and once again twirled it carefully over the skin of the girl’s breast. A few seconds later came another sound, closer than the last, and dis­tinct enough for Liddell to realize he was no longer alone.

Rotating his body quickly atop the stool, he glimpsed a shad­owed figure on the landing. The figure took two steps forward and calmly entered Liddell’s studio. Flannel and denim, dark hair pulled into a stubby ponytail, dark eyes—the man from the Hun­dred Monkeys. It was clear he was neither a poet nor a polemicist. He had a gun in his hand, and it was pointed directly at Liddell’s heart. Liddell reached for the flask of solvent. He was reliable. And for that he would soon be dead.

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Praise

Hypnotic prose, well-drawn characters and nonstop action will thrill Silva’s fans and convert the uninitiated.”
—People magazine

In [Gabriel] Allon, Silva has created a credible secret agent with skills that would make James Bond weep.”
—NPR Commentator Alan Cheuse/The Dallas Morning News
Read the full book review

THE REMBRANDT AFFAIR is Daniel Silva’s best thriller to date, and that’s saying a lot, for all of the books in the Gabriel Allon series have been stellar. Silva has an uncanny handle on world politics and how they affect the global population, not to mention an entertaining forum for getting his audience to pay attention to current affairs. There couldn’t be a much more time-appropriate plot than this one, nor one that can so touch its readers’ hearts. This is definitely a novel not to be missed!”
—Kate Ayers, Bookreporter.com

The latest Allon thriller is a terrific tale that has a different feel to the story line. The tale starts off as a mystery, but the clues turn the plot into an action-packed espionage thriller. Fast-paced regardless of genre, The Rembrandt Affair has the hero doing his usual quality job as he comes out of retirement to try to prevent the illegal sales to Iran. The escapades never stop until after the final confrontation; yet the key that refreshes this entry is Allon, who on the surface seems the same as in his previous appearances, but long time fans will notice subtle but fascinating differences.”
—Harriet Klausner, Genre Go Round Reviews

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Interview with Ari Shamron

Ari Shamron, the legendary spymaster from the acclaimed Gabriel Allon series, answers the ten questions from the Pivot Questionnaire made familiar by James Lipton, host of “Inside the Actors Studio” on  Bravo.

By Daniel Silva

It was a few minutes past ten p.m. when the phone in my Jerusalem hotel room finally rang. I let it ring two more times before answering. I’d been waiting for three days to have a word with Ari Shamron, and didn’t want to seem too eager.

“Is this Daniel?” asked the voice at the other end.

“Who else would it possibly be?”

“A friend? A cousin? How should I know?”

“You should know,” I said, unable to conceal my irritation, “because this room is thoroughly bugged.”

“You have a vivid imagination, Daniel.”

“It’s a professional affliction.”

“This is your lucky night. He’s agreed to see you.”

“When?”

“Now, of course.”

“It’s late.”

“Not for him. He hasn’t slept in years.”

“Where should I go?”

“There’s a car in front of the hotel. Get in it.”

The line went dead. I dressed quickly and went downstairs. The “car” turned out to be an armored Peugeot limousine with bulletproof windows. Judging by the smell of stale smoke, it was Shamron’s.

It was a cloudless night, and the sky above Jerusalem was awash with stars. We headed down the Judean Hills toward Tel Aviv, then north toward Nazareth. By the time we reached the Sea of Galilee, it was approaching midnight. Shamron’s fortress-like villa was just outside Tiberias, overlooking the lakeshore. As we eased slowly up the steep drive, I could see him standing along the balustrade of his famous terrace. He remained that way for an uncomfortably long moment after Rami, the chief of his security detail, announced my arrival.

“This is a first for me,” he said finally. “I’ve never spoken to a reporter for any reason other than to mislead one of my enemies.”

“I’m not a reporter,” I said defensively. “Not anymore.”

“Once a reporter, always a reporter.”

He turned to face me. He was smaller than I’d imagined and obviously in dreadful health. Even so, he was still not someone I would care to meet in a dark alley.

“How many questions are there?” he asked, his tone accusatory.

“Ten,” I replied.

“Like the Commandments?”

“They’re nowhere near as important as the Commandments, Mr. Shamron.”

“Then why wouldn’t you give me them in advance?”

“I wanted your responses to be spontaneous.”

He frowned. A professional spy, Ari Shamron regarded spontaneity as the vice of weaker minds.

Annoyed, he sighed heavily and raised a liver-spotted hand toward a pair of comfortable patio chairs. I sat in the chair on the right, the one usually reserved for Gabriel, and admired the view of the lake. Shamron’s old Zippo lighter flared, and a cloud of acrid smoke drifted into my face. I resisted the impulse to wave it away. Gabriel had warned me that Shamron was easily irritated.

“You saw him in Cornwall?” he asked after a moment.

I nodded.

“He was well?”

“As well as could be expected.”

Shamron smiled sadly. “All right,” he said, “let’s get this over with. What’s the first question?”

“What is your favorite word?”

“Are they all going to be so trite?” He deliberated a moment before answering. “Peace is my favorite word. I’ve never known a single days’ peace in my life. Not in Poland. Not here. I would like to know what peace feels like before I die.”

“What is your least favorite word?”

“How did Gabriel answer that question?”

“I’d rather not say.”

Shamron regarded me suspiciously. “My least favorite word is ‘no.’ Now that I’m old, it seems to happen with far greater frequency.”

“What turns you on creatively, spiritually or emotionally?”

“A problem no one else can solve.”

“What turns you off?”

“Answering personal questions.”

“What sound or noise do you love?”

“I loved the sound Adolf Eichmann made when I clamped my hand over his mouth that night in Argentina.” Shamron squeezed my forearm. “It was a most satisfying sound.”

“What sound or noise do you hate?”

“The sound of the telephone ringing late at night. It is rarely good news.”

“What is your favorite curse word?”

“That depends on what language I’m speaking.”

“Your first language is Polish?”

“Yiddish, actually.”

“So what is your favorite curse word in Yiddish?”

“It is not translatable.”

“What profession other than your own would you like to attempt?”

“My mother wanted me to be a rabbi.”

“Did you ever consider it?”

“I built a country for my people instead. And then I spent the rest of my life defending it.”

“What profession would you not like to do?”

“I could never be a therapist. I don’t like listening to people complain.” He tapped his cigarette impatiently against the side of his overflowing ashtray. “By my count, you have one more question.”

“If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?”

“God and I confer on a regular basis,” he said, smiling. “Our conversations are private, and they will remain so.”

I closed my notebook. He seemed disappointed.

“Are you sure there’s nothing else you wish to ask me? This will be your only chance.”

I opened my notebook and said, “Tell me about that night in Argentina. The night you captured Eichmann.”

Shamron lapsed into silence. When finally he spoke again, it was with the voice of a younger man. “It was raining,” he said, gazing out at the black waters of the lake, “and very cold. The moment Eichmann stepped off that bus, I knew it was him … ”

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Interview with Gabriel Allon

Art restorer, spy, and assassin Gabriel Allon answers the ten questions from the Pivot Questionnaire made familiar by James Lipton, host of the “Inside the Actors Studio” on the Bravo television channel.

BY DANIEL SILVA

THERE WERE PHONE CALLS that went unanswered and e-mails that received no reply, but then, I expected nothing less. I knew him well enough to realize it wasn’t something he would relish doing. Finally, after much pleading and negotiation, he agreed to my request. There was only one condition: he insisted on seeing me face-to-face. Through an intermediary, he instructed me to come to the Polpeor Café at the tip of the Lizard Peninsula, in West Cornwall. I arrived, as instructed, promptly at two in the afternoon, and at 2:15 saw him emerge from a veil of sea fog along the rim of Kynance Cove. He wore a dark green Barbour raincoat and a flap cap pulled low over his brow. After carefully shaking my hand, he led me to a table near the window. He had tea but nothing else. He made me feel uncomfortable. It was one of his many gifts.

“Do we really have to do this?” he asked.

“They say it’s necessary.”

“For what?”

“It’s complicated.”

“You’re just a writer. How complicated can it be?” He added milk to

his tea and stirred it solemnly. “You know I don’t like to do these things.”

He sighed heavily, as if resigned to his fate. “All right,” he

said, “let’s get this over with. What’s the first question?”

“What is your favorite word?”

“What kind of question is that?”

“Just answer it.”

“Chiara,” he said. “Chiara is my favorite word.”

“What is your least favorite word?”

“Shamron.”

“You don’t really mean that.”

“No, but it felt good to say it.”

“How is he, by the way?”

“As ever.”

“And Gilah?”

“She lives with Shamron. How do you think she’s doing?”

“What is your least favorite word?” I asked again.

“Switzerland.” His emerald-green eyes seemed to twinkle.

“What turns you on creatively, spiritually or emotionally?”

“You don’t really expect me to answer that?”

“Just try.”

He thought it over for a moment and smiled. “Listening to Chiara

sing when she thinks she’s alone.”

“What turns you off?”

“Answering these questions.”

“What sound or noise do you love?”

“The silence of a Venetian church at dawn.”

“What sound or noise do you hate?”

“The sound of a bomb exploding.”

“What is your favorite curse word?”

“I try not to swear.”

“What profession other than your own would you like to attempt?”

“I already have two professions.”

“What profession would you not like to do?”

“I could never work in a hospital.” He frowned. “How many more?”

“Just one,” I said. “If Heaven exists, what would you like to hear

God say when you arrive at the Pearly Gates?”

“Your son is waiting for you,” he said without hesitation. He looked

at me seriously for a moment. “Are we finished?”

“We’re finished.”

“Can I go now?”

I nodded. He swallowed the last of his tea and rose to his feet. I

saw him one last time as he made his way swiftly along the cliffs tops.

Then he vanished into the mist and was gone.

 

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